We, Islands, 2024
We, Islands (2024) at Tranlating Worlds, Depo Istanbul. Photos by 


ON THE WORK:

We, Islands, was shown at the Galleri Mejan, Stockholm (2014),  This iteration’s main piece is a video installation of a conversation series with three teenagers from the Stockholm Suburb of Tensta and Rinkeby. All are in their final year of High School in Sodermalm.

A second iteration was shown at the exhibit Translating Worlds, in Istanbul curated by Nilüfer Sasmazer and Milan Vukašinovic. The work is composed of a single channel video  a booklet, and an audio installation. 

DEPO / Tütün Deposu
November 29 12023 - January 27, 2024


THE EXHIBIT 

"Stephanie Misa takes us to the outskirts of big cities, contemporary borderlands where immigrants exist as islands, trapped in a “separation from the whole within the whole,” in the words of M. Cavalcante. Misa’s long-term research project We, Islands combines conversations with two teenagers from the Bangladeshi and Kurdish diasporas who live in the marginalized suburbs of Stockholm, with personal and found objects. In contrast to normative views, their experiences reveal translation as a relation of inequality between languages, sustained by socioeconomic and political structures. Diasporic subjects are literally translators, proprietors of multiple consciousness, whose survival depends on code-switching, in premodern and modern times alike. A medieval Georgian immigrant, 
Euthymios the Athonite, first a child hostage in Constantinople, started speaking Georgian only after a divine intervention, according to his hagiography. He grew up to become an unrecognized trend-setter in the Greek literature of his age. Being a diasporic subject herself, Misa manifests the intention to “explore the potential, agency, and vitality of ‘bastard languages’ within the boundaries of the unwritten word.” 

This derogatory term is often used to designate the linguistic practices that disregard national correctness and class propriety, making a liberating mixture of words from diverse locations and registers, past and present, ‘high’ and ‘low’ cultures. Exemplified by the taming of the racially-charged use of the French word for cockroach in modern Swedish, the bastardization is a linguistic re-appropriation of marginality that lets a border cut straight through one’s heart, and then crosses it defiantly. "

Translating Worlds

Mercedes Azpilicueta, Annabelle Binnerts, Cansu Çakar, Alev Ersan, Setareh Fatehi, Fikos, Dejan Kaludjerović, Lucie Kamuswekera, Stephanie Misa, Rehan Miskci, Daniel Otero Torres, Elsa Sahal, Walid Siti, Lika Tarkhan Mouravi


STEPHANIE MISA



Selected Exhibitions:

Feminist Futures Forever

Belvedere21,  Vienna
5 November 2026 -8 March 2027
upcoming

Remittance

Mead Art Museum, Amherst MA
15 September 2026- 3 January 2027

Oculus
Heidelberg Kunstvereien
15 March - 18 May 2025

An altar for the fleshy tongue
6th Asian Triennale Manchester: Transvaluation 2025
RMIT Gallery Melbourne, 2022

Translating Worlds
Depo Istanbul
29 November 2023 - 27 January  2024

Hallow Hollow
Kunstraum Lakeside, Klagenfurt
4 October – 10 November  2023

Not Your Ornament (Mai Ling)
Wiener Secession
15 September– 12 November 2023

The Snake & the Archive
Governor’s Island, New York, NY
15 August – 10 September 2022

Filipinos, Cannibalism, & Mothers Dancing on Tongues
9th Bucharest Biennale: Farewell to Research
28 June 2020- 13 May 2021

The Diamond (Princess) is Forever
Vera List Center for Art & Politics, NY
16 November 2020
Stephanei Misa and Multiple Spirits, 2022
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